DAYS 1,2 and 3 $100 WindWorks Giveaway LAST CHANCE
No one would leave!
Okay, so it seems there are a bunch of latecomers to the party and let’s face it, who finishes a party on a Friday? So, you have the weekend to join WindWorks for free and take advantage of our amazing Launch Party Giveaway offer. Don’t miss out, try it now, we know you’ll love it.
FINAL DAY
Trumpet Problems Solved!
Congratulations, you’re still standing. Like all good parties, we end up sitting around philosophising and solving the problems of the world.
FUN FACTS:
Watch these videos and you will learn something profoundly new
Do these exercises and you will discover your limits
WindWorks explains in a fun and easy way how to eliminate your problems
People HATE paying for information in a world of free content
You can experience WindWorks for FREE for a month within 2 minutes from now
WindWorks is changing the collective psychology of brass and wind playing forever
You are missing out on a great opportunity if you ignore this offer
YOUR PROGRESS IS OUR PRIORITY
Take the time to watch these videos and play the exercises. You will learn more about your playing than ever before WE GUARANTEE IT.
There are only 24 hours left before this FREE offer ends (Details at the bottom of this page)
Metronome:
A (Concert G) Drone
Use the Hum to experience pitch change using PASSIVE reduction
Use SHAPE not body exertion to change pitch
Use the hum to find the required airflow
Make playing feel like humming
A (Concert G) First Note
Breath Attack softly pp and hold for 15+ seconds
Think 1% Rule
Pu-Lip-Ku-KMT-Tu
Hold a loud note ff for 10+ seconds
A (Concert G) Glissando
Lip buzz lower octave Mouthpiece buzz as written On trumpet away from lips, lightly toughing lips, playing as normal – EYES CLOSED Hit ALL harmonics Do SOFTLY at first then vary dynamics
GLISSANDO 1
GLISSANDO 2
GLISSANDO 3
GLISSANDO 4
A (Concert G) Singing C Exercise
ACTIVE resonant first note
SHAPE CHANGE ONLY into bar 2
NO GAP between bars
A (Concert G) LOUD/SOFT Octave Tongued
ACTIVE resonant first note
SHAPE CHANGE ONLY into bar 2
NO GAP between bars
A (Concert G) Chambers Scale 1
The SOFT top notes aim to encourage SHAPE change without kicking the air
There is no tempo dictated, take your time
A (Concert G) Chromatic Slurred
Play as SOFTLY as possible at first You are looking for WHERE the notes cut out
A (Concert G) Tongued Intervals
Play softly at first Use Mouth Compression without kicking as you ascend
Use PASSIVE Mouth Compression on the first note
Gradually open the aperture and allow more volume out
Be sure to keep the Body’s Concert Hall open at all times
A (Concert G) Crescendo/Decrescendo Long Tone
Experiment with Breath Attack and Pu-Lip-Ku-KMT-Tu STAY OPEN, this is where negative tension can creep in
A (Concert G) Range Etude
Play these exercises musically Use SHAPE change only on Steps 1 and 3 when playingpp Notice the added body activity on Steps 2 and 4 when playingff
Watch this Premium Level video by Greg Spence (2019 New Material)
Use Coupon Code PREMIUM100 to get:
FREE: A whole month ACCESS to the Foundation and Premium Levels (Largo, Adagio, Andante, Moderato, Allegro and Presto Status Stages)
FREE: The Interactive Video eBook 1 course with printable PDF (5,000+ Sales in over 100 countries) free for life
Watch this Ultimate Level video by Greg Spence (2019 New Material)
Use Coupon Code ULTIMATE50 to get:
50% OFF: The Ultimate Level for a month (Ruby, Emerald and Diamond Status Stages) – this also includes access to the Foundation and Premium Levels.
FREE: The Interactive Video eBook 1 course with printable PDF (5,000+ Sales in over 100 countries) free for life
FREE: The Interactive Video eBook 2 course with printable PDF (5,000+ Sales in over 100 countries) free for life
PLEASE NOTE: There is absolutely no obligation to pay anything in the first month and you can cancel anytime. If you think you know all about WindWorks, you are sadly mistaken and here is your change.
9 SIMPLE POINTS PEOPLE MISS – their playing suffers and it might be you…
PASSIVE or ACTIVE: Are you efficient or fighting the instrument?
Sympathetic Oscillation: What is the role of the lips?
The Body’s Concert Hall: Are you overlooking the importance of a relaxed and resonant air column?
aRRRRticulation: The 4 R’s: Release, Response, Reflection, Resonance
Throaticulation and the Valsalva Maneuver: The hidden killer of improvement
Pu-Lip-Ku-KMT-Tu: The best approach for a clean articulation
The Real Learning Process: Learn how to learn QUICKLY and HAPPILY
Screech Notes and Pedal Tones: Can you play from Pedal C or below to Double C and beyond?
The Singing C Series: The most effective range development method ever
This might all seem a little complicated but it’s actually easy, fun and effective. You can make incredible changes to your playing if you take the opportunity to learn what it is all about. Read the Forum to see the transformations people have made.
Hi Greg,learning from you and exploring your revolutionary playing concepts in depth are the greatest gifts I've received as I journey through musician's focal dystonia. Your techniques and brilliant psychology are helping me significantly reduce and eliminate symptoms, and are leading me to a much…
Hello Greg, wanted to thank you for the wonderful things you are doing with WindWorks. I have been struggling with bad playing habits the past 30+ years since studying with Chicowicz at Northwestern while still playing gigs and killing myself in the process. I am…
Pat Jarve
Hi Greg, my name is Fernando Dissenha, I am principal trumpet with Osesp, here in Brazil. Your pedagogy is second to none. I am doing your course and spreading the news with my students with absolutely great results. I hope to meet you some day!…
Fernando Dissenha
"Greg, Bravo on your new WindWorks program, I am really enjoying it. It is bringing me back to my days studying with Arnold Jacobs and Vince Cichowicz. Your insights have definitely brought even more clarity to brass playing and the psychology of results! I studied…
Phil Savard
Greg – great to meet you here – checking out your website – amazing stuff on there to help us fellow trumpet players – a ton of great information on there and I am going to check out all the videos!
Jim Manley
Greg - wow, I am blown away by the videos. I discovered the leadpipe thing and no buzzing but just air in the mouthpiece about a year ago and never looked back. These videos hit the nail right on the head - amazing information!
Jim Manley
Professional Trumpeter, USA
Hey Greg, it has taken me over 20 years to discover what you have presented here in your book. Congratulations on the layout and approach, I know it will help a lot of people if they take the time to learn it for themselves!
Sean H.MA
Hi Greg, sorry for my terrible english, consider my small donation just as a little symbol cause i really wanted to thank you some how for what you’re doing. I’m not joking when i say that the knowledge and the information that you’ve decided to…