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	<title>WindWorks Trumpet Academy by Mystery to Mastery | driemermk | Activity</title>
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				<title>driemermk replied to the topic Decrescendo problem in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/decrescendo-problem/#post-15578</link>
				<pubDate>Thu, 10 Jan 2019 16:29:40 +1100</pubDate>

									<content:encoded><![CDATA[<p>I`m from Germany.</p>
<p>This means no passive reduction but abdominal activity to maintain the tone until the end, right?</p>
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				<title>driemermk started the topic Decrescendo problem in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/decrescendo-problem/</link>
				<pubDate>Tue, 08 Jan 2019 17:29:30 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi, I have the following problem in a piece of music I learn actually, but it is so basic, that everyone will encounter it earlier or later: a Decrescendo on an e2 over 8 beats, beginning with a mezzoforte.<br />
Am I understanding you, Greg, right, that the Decrescendo is produced by gradually reducing the amount of air that is actively applied, and&hellip;<span class="activity-read-more" id="activity-read-more-1811"><a href="https://mysterytomastery.com/topic/decrescendo-problem/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>driemermk replied to the topic Problem with aperture corner movement in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/problem-with-aperture-corner-movement/#post-7654</link>
				<pubDate>Mon, 06 Aug 2018 15:40:54 +1000</pubDate>

									<content:encoded><![CDATA[<p>Thank you, Greg, this makes it much clearer to me.<br />
So the loose center is the primary goal to achieve and the subtle alterations of the aperture corners must let the responsiveness of the center be unaltered.</p>
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				<title>driemermk started the topic Problem with aperture corner movement in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/problem-with-aperture-corner-movement/</link>
				<pubDate>Fri, 03 Aug 2018 16:20:08 +1000</pubDate>

									<content:encoded><![CDATA[<p>Hi Greg,<br />
as I understand the mechanism how higher notes are played, the aperture corners move inwards. This results in a smaller diameter  of the aperture in right/left-direction.<br />
But this can only be done to a definite extent- then the aperture is obstructed. In any case this is the experience that I make: when I go up, beginning around c2/e2&hellip;<span class="activity-read-more" id="activity-read-more-839"><a href="https://mysterytomastery.com/topic/problem-with-aperture-corner-movement/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>driemermk started the topic singing c series step 1 in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/singing-c-series-step-1/</link>
				<pubDate>Fri, 29 Jun 2018 10:10:32 +1000</pubDate>

									<content:encoded><![CDATA[<p>Hi Greg,<br />
I have a question concerning step 1 of singing c series.<br />
The first note and the second note are played using passive reduction but the loudness changes from ff to p.<br />
What has to be done actively to make this change happen?</p>
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				<title>driemermk started the topic Adagio leadpipe troubleshooting in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/adagio-leadpipe-troubleshooting/</link>
				<pubDate>Sat, 23 Jun 2018 11:17:48 +1000</pubDate>

									<content:encoded><![CDATA[<p>When I just blow air  through the leadpipe without sound production, the tissue moves forward.<br />
As soon as the sound starts, I notice that the forward movement of the tissue reduces significantly. Is this ok or is this a bad sign of clamping too much?</p>
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