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	<title>WindWorks Trumpet Academy by Mystery to Mastery | kenosis | Activity</title>
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				<title>kenosis replied to the topic embouchure and aperture questions in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/embouchure-and-aperture-questions/#post-29172</link>
				<pubDate>Mon, 12 Aug 2019 21:37:37 +1000</pubDate>

									<content:encoded><![CDATA[<p>Thank you Greg for you epically useful impromptu lecture. I get it now and I am relieved to know that I had deduced what you were aiming for.  And thank especially for addressing my concerns about &#8220;tension&#8221; in such a personal but generally useful way.</p>
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				<title>kenosis replied to the topic embouchure and aperture questions in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/embouchure-and-aperture-questions/#post-28859</link>
				<pubDate>Thu, 08 Aug 2019 23:33:26 +1000</pubDate>

									<content:encoded><![CDATA[<p>Hi Greg,</p>
<p>As you know, I am an avid fan and of your methods and this thread has reminded me of the one nagging question I continue to have so I thought I would mention that here as I suspect once others get past what the aperture corners are this may well be the next question that comes to mind.  What does &#8220;&gt;tension&lt; of the aperture corners&#8221;&hellip;<span class="activity-read-more" id="activity-read-more-2680"><a href="https://mysterytomastery.com/topic/embouchure-and-aperture-questions/#post-28859" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>kenosis started the topic Thoughts on the MTM method and high compression mouthpieces in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/thoughts-on-the-mtm-method-and-high-compression-mouthpieces/</link>
				<pubDate>Sat, 15 Jun 2019 22:27:12 +1000</pubDate>

									<content:encoded><![CDATA[<p>Hi all,</p>
<p>I am an avid follower of the WW MTM approach and I have noticed that I have to work more diligently to adhere to the precepts when I plan on my Wedge high-compression mp than when I use a more open mp. While the Wedge by design produces a more complete sound (meaning it seems to allow more frequencies to pass resulting in a smoother&hellip;<span class="activity-read-more" id="activity-read-more-2371"><a href="https://mysterytomastery.com/topic/thoughts-on-the-mtm-method-and-high-compression-mouthpieces/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>kenosis replied to the topic To Mute, or not to mute...that is the problem in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/to-mute-or-not-to-mute-that-is-the-problem/#post-11727</link>
				<pubDate>Sat, 17 Nov 2018 20:12:23 +1100</pubDate>

									<content:encoded><![CDATA[<p>To you own a car?  I&#8217;ve known many a player to use that as their mini-practice studio; sitting in the back seat with a front seat slid forward enough to be out of the way.</p>
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				<title>kenosis started the topic Pedal tones in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/pedal-tones-2/</link>
				<pubDate>Sat, 17 Nov 2018 18:14:30 +1100</pubDate>

									<content:encoded><![CDATA[<p>Is it just me or does the Body Concert Hall and Singing C method lend themselves to more natural pedal tones?  I&#8217;ve just come back to pedal tones after 4 weeks of Mystery to Mastery and my pedal tones below low F# are resonating much more naturally than when applying other methods (e.g., Balanced Embouchure.) Thoughts?</p>
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