PLAY EFFORTLESSLY,
THE NEW WAY

FOCUS OF THE WEEK

"ENDURANCE - PLAY LONGER WITH LESS EFFORT!"

"I'LL SHARE WITH YOU A BRAND NEW WAY OF PLAYING, TAKING YOU TO A HIGHER LEVEL!"

GREG SPENCE – Coaching beginners through to the stars.

 Coaching professional players and educators from the

world’s most prestigious universities.  

These include:

Royal College Of Music London • University Of North Texas (UNT) • Kings College, Cambridge • RTE Concert Orchestra, Dublin • University Of Ljubljana, Slovenia • University Of Melbourne • University of Southern California (USC) • Jazz Institute, Berlin • Baylor University • New York Philharmonic • Berlin Symphony Orchestra • Copenhagen Philharmonic • Melbourne Symphony Orchestra • London Symphony Orchestra • Sydney Symphony Orchestra • New Zealand Symphony Orchestra • Amarillo Symphony, Texas

Greg has played  alongside some of the most recognised performers in the world,

Such as:

James Morrison • Wayne Bergeron • Bobby Shew • Herbie Hancock • Burt Bacharach • Jose Feliciano • Helen Reddy • Tim Minchin • Renee Geyer • Florence and the Machine • Chris Isaac • Seal • Rickie Lee Jones • Katy Perry • The Cat Empire • Ministry of Sound • Sinead O’Connor • Ben Folds • Meshell Ndegeocello • Gurrumil Yunupingu • Archie Roach • Josh Stone • Mavis Staples • Shirley Bassey • Jimmy Barnes • Olivia Newton-John • John Farnham • Chubby Checker • Jerry Lewis • Wayne Newton • Human Nature • Marcia Hines just to name a few.

BURT BACHARACH

“A career highlight performing alongside superstar Burt Bacharach in Melbourne!”

OLIVIA NEWTON-JOHN

“Playing at Carnegie Hall (NYC) with the amazing Olivia Newton-John is unforgettable!”

Greg was lead trumpet on Australia’s version of “Dancing with the Stars” for 16 seasons and has performed on over 20 Australian television productions.  He has done over 40 professional musical theatre shows and recorded over 100 albums with Australia’s leading artists.

LISTEN

LISTEN TO GREG SPENCE

Excerpt from Bob Reeves Famous Podcast

“The Other Side of the Bell”

Never heard of Greg?

“THERE’S GOT TO BE A BETTER WAY!”

 “It truly is effortless!”

 “Like a dream come true!”

“The benefits are HUGE!” 

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PLAY YOUR FAVOURITE MUSIC WITH EASE AND CONSISTENCY

IF YOU COULD

WOULD YOU EMBRACE THE OPPORTUNITY?

IF YOU ARE STRUGGLING WITH

WOULD YOU WANT TO STOP THE STRUGGLE?

IF YOU ARE 

CONFUSED WITH

TIME TO END THE CONFUSION!

1. I want to be a monster all over the horn but have trouble with flexibilityTHAT’S ME 

2. Can’t seem to get to the end of the gig, my endurance sucks.  THAT’S ME 

3. My articulation is sloppy and inconsistent.  I don’t know how to tongue!  THAT’S ME 

4. I want to have a smokin’ range to sound like my heroes!  THAT’S ME 

5. I know what I want to sound like. Problem is, I can’t!!!   THAT’S ME 

SUBSCRIBER REVIEWS

Haynes Muller
Haynes Muller
July 17, 2022.
Apart from his world class credentials as a player, Greg Spence offers a brilliantly organised interactive teaching platform, primarily for trumpet players. It gives a forensically detailed method on how to achieve your goals with some perspective on how it can fit in with your regular life. Greg himself is unconventional, witty and has a boundless enthusiasm, which is catching. Many students regard what he offers as life changing. I'm one of them. All the best, Steve Miller.
Paul Kelly
Paul Kelly
July 17, 2022.
I have been working on Mystery to Mastery for three to four years. It started with the online videos which just made sense of the issues I was having. When Windworks came out I raced through the levels and was having some good days at Emerald. I knew things were not right and went back to Largo. I kept going back to largo. Last year I had some sessions with Greg and now it all seems to fall into place. At the age of 75 this method is vital if I am to continue enjoying playing and it works. Thanks Greg.
Tom Ryan
Tom Ryan
July 16, 2022.
The least worse of all that Ive seen!!
Peter MultiTrum
Peter MultiTrum
July 15, 2022.
Contacting Greg (almost a decade ago now) and getting him to help me at the age of 50+ with his Mystery to Mastery concepts really helped me to improve my approach to the horn. I have really enjoyed following the growth of the concepts. Prior to Covid I had the Double C under my belt, and great endurance. Time to re-connect, and get myself back on board. 100% supportive.
Marko Jenic
Marko Jenic
July 15, 2022.
I am practicing the Mysterytomastery method for ober eight years now. One year before my masters degree I coldnt play any more, it was a total collapse, because of my wrong, stiff, tense setting from a beginning of my trumpet playing (because of buzzing), and like many trumpet players-overblowing. My teacher once said to me that I shold look at Greg’s videos on youtube, and I did. Of course I was pretty dubious over that method at start. Then I bought both books and started to work and watched every video several times, so I slowly got a point of Greg’s Idea. I must sat, that Mysterytomastery is the only method that worked and still is working for me, and becouse of that method I finally after 20 years of playing trumpet enjoy playing it and I feel comfortable and relaxed (not scared and insecure like before). And I must say now I am a teacher and I teach that way, and must say that a healthy and resonant sound is possible already the first year the student start’s to learn. That is why I recommend this method for everyone. Buy it study it, stick to it and believe every word the Greg says. It saved my musical life. Marko
Nigel Huckstep
Nigel Huckstep
July 14, 2022.
Basing a music course on scientific method and research rather than “this is the way we have done it since the 1800s”, what sort of trickery is this?!? The 19th and the 20th century all dabbled around the edges of science, but scientific focus was mainly around improving the equipment rather than how we use it. Roll in WindWorks and Greg Spence who not only recognised that playing brass is actually a scientific process but has managed to develop a program integrating a range of fields of science that have previously been neglected. While most musicians will acknowledge the role of physics, few actually think about physiology and even fewer think about psychology or neuroscience as critical factors of playing. It doesn’t matterIf you play well or badly, physics still happens, sound waves will still be generated by oscillation through an aperture into the resonating body of the instrument. This course takes that basic premise but adds a different slant to human physiology to improve efficiency of playing. Some of the most ground breaking elements include introducing psychology and the way we approach the instrument and neuroscience to change unhelpful neural pathways and create new useful neural pathways, so the efficient and effective methods encouraged by Greg become the new normal. I wish I had started this way 40 years ago, who knows what path my life have taken.
Chris Lawell
Chris Lawell
July 14, 2022.
I signed up for Greg Spences course after a 25 year lay off from trumpet. I was what was know of as a “comeback player”. His course was KEY to getting back my chops and even improving my abilities to better than I played as a music major decades before. He traveled to the US and did a clinic for the brass players at my sons High School and did a fantastic job as well. He is one of the rare ones who can be an incredible performer but also be able to very clearly explain HOW everything works through demonstrations and activities to get the best results. I consider him a friend and great mentor. His courses are top notch and his masterclasses and clinic are worth every dime. I couldn’t recommend him any higher.
Jutta C
Jutta C
July 14, 2022.
I wish I had known about WindWorks when I started. It could have saved me several years of brass misery. Most brass teachers can demonstrate what the instrument should sound like, but the playing must have come to them through some kind of magic, because they obviously never had to think about how they play and, therefore, cannot explain it. Greg Spence has analysed the playing of brass instruments to the point of obsession, and he passes his knowledge on with great enthusiasm and generosity through WindWorks. If you want to play the trumpet, or indeed any brass instrument (or, dare I say it, even the alphorn), do yourself a favour and listen!

WHAT IF THERE IS A
NEW AND BETTER WAY TO PLAY

that you don't yet know about...?

IF THERE WAS a new and better way to play, thanks to groundbreaking discoveries, WOULD YOU WANT TO KNOW ABOUT IT? 

IF THERE WAS a new and better way to play to make your playing dreams a reality, WHEN WOULD YOU LIKE TO START?

5 SIGNS YOU

NEED HELP

ARE YOU FINDING THAT:

THE BRASS BREAKTHROUGH SYSTEM

TAKE THE GUESSWORK OUT OF BRASS PLAYING 

1. SOUND ADVICE

We sneak behind the scenes and learn the physics of how brass instruments really work, the role of your body when playing, how to make a pure sound from Day 1, and the “Learning Loop” neurological process.

2. AIRnergy

Learn from the word “Go!” where everyone goes wrong. Discover the power of PASSIVE playing, how the lungs create energy, and how to effortlessly convert this energy to sound using no force or strain. 

3. TIME TO SHAPE UP

Don’t worry, we know most people hate working out, doing push-ups, sit-ups, and other vertical, up-and-down exercises. You’ll love it when you uncover the real role of your tongue and how the lips work horizontally

4. CYCLE OF T.E.E.S

This landmark and history-changing approach teaches you the perfect playing process that anyone can do to achieve the PERFECT NO-NOTES.  Pianos and guitars have notes built in, brass instruments have no notes. 

5. SINGING IN THE RIM

Take your PERFECT PROCESS NO-NOTES and discover how playing is no harder than humming, talking or singing. You will learn this breakthrough system on your leadpipe, playing horizontally in the mouthpiece rim.   

6. RESULTS PROCESS 

Using the immense power of the PROCESS DRIVEN Singing “C” Series, and the RESULTS DRIVEN “Four Factories” multi-technique builder, your PERFECT NO-NOTES become perfect notes all over your instrument; IT’S MAGIC!

DISCOVER HOW TO IMPROVE?

FREAKISH FLEXIBILITY

Playing between registers can be tough at the best of times, but playing with limited flexibility can be really challenging, and even worse, it affects your endurance. CLICK BUTTON

ENDLESS ENDURANCE

Contrary to popular opinion, endurance has nothing to do with strength, but rather an inefficient technique that is driven by incorrect playing psychology. CLICK BUTTON

ACCURATE ARTICULATION

Even if you have great flexibility and endurance, people fail auditions and lose work because of inconsistent and sloppy articulation. 

CLICK BUTTON

RIDICULOUS RANGE

Range is the number one concern of most trumpet players and the answer to developing range is the opposite of what you think it is. 

CLICK BUTTON

SENSATIONAL SOUND

All of the above issues contribute to crippling your ability to create sound efficiently. 

CLICK BUTTON

1. IDENTIFY YOUR PROBLEMS

2. REVEAL THE SOLUTIONS

3. MAKE REAL CHANGES

EVEN MORE REVIEWS

I started Greg’s course with a slight hesitancy to his different and unique approach. A year later, I’m fully committed and have used his methodology with my private students. Greg’s teaching has had an immense impact on my approach to the mechanics of the trumpet and I have improved greatly since day 1 of the course. I have gained more efficiency and freedom on the trumpet than ever before which has helped me to better express my musicianship through the instrument.

I can’t recommend Greg’s course enough. 

Tetsuya L. AUSTRALIA

I wish I had known about WindWorks when I started. It could have saved me several years of brass misery. Most brass teachers can demonstrate what the instrument should sound like, but the playing must have come to them through some kind of magic, because they obviously never had to think about how they play and, therefore, cannot explain it. Greg Spence has analysed the playing of brass instruments to the point of obsession, and he passes his knowledge on with great enthusiasm and generosity through WindWorks. 

If you want to play the trumpet, or indeed any brass instrument (or, dare I say it, even the alphorn), do yourself a favour and listen! 

Jutta C UK

One year before my masters degree I couldn’t play any more, it was a total collapse. Mystery to Mastery is the only method that worked and still is working for me, and because of that method, I finally after 20 years of playing trumpet enjoy playing it and I feel comfortable and relaxed (not scared and insecure like before). And I must say now I am a teacher and I teach that way, and must say that a healthy and resonant sound is possible already the first year the student starts to learn.

That is why I recommend this method for everyone. Buy it, study it, stick to it and believe every word the Greg says. It saved my musical life.

Marko J. SLOVENIA

TAKE THE NEXT LOGICAL STEP

ARE YOU READY TO INVEST IN YOUR PLAYING FUTURE?

If you are planning on leaving us here and now, then we thank you for taking the time to learn some exciting, new information and we wish you great success with your playing.

On the other hand, if you know missing out on this opportunity is downright crazy, then begin considering the option that is best for you.

ACCELERATOR WEEKLY:

• Flexibility to pay weekly
• Freedom to go on hold at any time after your first 4-week commitment. (Let’s face it, if you think you’ll destroy your 1.0 Brain in 2 or 3 weeks, you’re probably not right for the course!)

PREMIUM MONTHLY:

• The cost of just one private lesson with Greg
• The absurd price of just $99 per month
• Includes Sunday Sessions LIVE, Teaching Tuesdays LIVE, and the Support Network community,
• This opportunity represents amazing value and flexibility to pay monthly.

ULTIMATE QUARTERLY: This is the most popular for two simple reasons:

• Dedicated players understand that it takes a few months to begin creating new neural pathways and efficient new habits.

• Saving $160 is just clever in anyone’s book…

ULTIMATE PLUS:

• Transform your playing existence for the ridiculous amount of only $15 per week!
• You’ll be sitting back in 12 months’ time grinning like a Cheshire cat knowing that joining today was the smartest decision you have made in your playing life.

ACCELERATOR

PAID WEEKLY - MINIMUM 4 WEEKS
$ 29
99
PER WEEK
BILLED WEEKLY 4 WEEKS MINIMUM
  • TIME TO SHINE

PREMIUM

PAID MONTHLY
$ 99 PER MONTH
BILLED MONTHLY
  • (SAVE $30)

ULTIMATE

PAID QUARTERLY MOST POPULAR
$ 227 PER QUARTER
BILLED QUARTERLY
  • (SAVE $160)
Popular

ULTIMATE PLUS

PAID ANNUALLY BEST VALUE
$ 799 PER YEAR
BILLED ANNUALLY
  • (SAVE $761)
Best value

FIRST STEP TO PLAYING FREEDOM

CHOOSE YOUR PREFERRED PAYMENT OPTION

  • Accelerator  —  $29.99 / week
  • Premium  —  $99.00 / month
  • Ultimate  —  $227.00 every 3 months
  • Ultimate Plus  —  $799.00 / year

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YOU'RE ALL SET!

Your login information will be emailed to you. 

Be sure to follow the link in your email to the member’s dashboard and get ready to change your playing life!  WELCOME TO WINDWORKS

WORLD CLASS ENDORSEMENTS

REX RICHARDSON

“The physiology of brass playing has been shrouded in myth and misconception for decades, leading to pedagogical practices that are at best useless, and at worst quite damaging. Trumpet virtuoso and myth-buster Greg Spence has sorted us out, setting forth a method that defuses the madness. At once brilliant and stunningly simple, Mystery to Mastery is essential material for the global community of brass players.”

Rex Richardson, International Trumpet Soloist

JAMES MORRISON

“Trumpeters finally have a guide that makes sense. Greg Spence has managed to take what can sometimes be a complicated process (playing the trumpet) and explain how it’s done in a way that will definitely get results. Anyone at any level will benefit from this no-nonsense approach that really does go Step-by-Step all the way to MASTERY!”

JAMES MORRISON - Possibly the best multi-instrumentalist to ever walk the earth.

ALLEN VIZZUTTI

Mystery to Mastery” by Greg Spence, is a wonderful addition to the trumpet player and trumpet teacher’s literature. It is concise and logical. All teachers’ will welcome such an organized and functional program. I HIGHLY RECOMMEND IT!”

ALLEN VIZZUTTI - Simply one of the world’s most loved virtuoso trumpeters.

JUHAN "WINTERPLAY" LEE

“Greg has a unique view on blowing the trumpet; which is not to blow or buzz. His unique teaching style not only involves the artistry of the brass horn, but the passion to motivate me to excel, during the hardest playing times. If you need a trumpet surgeon, look no further, he is the man.”

Jazz/Pop Superstar, Juhan Lee (Winterplay)

WAYNE BERGERON

“Fantastic Website. A lot of knowledge based information here.”

WAYNE BERGERON, Renowned as L.A’s top commercial studio/session trumpeter and one of the world’s best lead trumpeters.

ERIC MIYASHIRO

“Hi Greg, I am really enjoying watching your videos, they are very informative, inspiring and fun to watch. Great video lessons Greg, keep them coming!”

Trumpet mega-star Eric Miyashiro

SHARING THE JOY OF SUCCESS