GREG SPENCE – Coaching beginners through to the stars.
Coaching professional players and educators from the
world’s most prestigious universities.
These include:
Royal College Of Music London • University Of North Texas (UNT) • Kings College, Cambridge • RTE Concert Orchestra, Dublin • University Of Ljubljana, Slovenia • University Of Melbourne • University of Southern California (USC) • Jazz Institute, Berlin • Baylor University • New York Philharmonic • Berlin Symphony Orchestra • Copenhagen Philharmonic • Melbourne Symphony Orchestra • London Symphony Orchestra • Sydney Symphony Orchestra • New Zealand Symphony Orchestra • Amarillo Symphony, Texas
Greg has played alongside some of the most recognised performers in the world,
Such as:
James Morrison • Wayne Bergeron • Bobby Shew • Herbie Hancock • Burt Bacharach • Jose Feliciano • Helen Reddy • Tim Minchin • Renee Geyer • Florence and the Machine • Chris Isaac • Seal • Rickie Lee Jones • Katy Perry • The Cat Empire • Ministry of Sound • Sinead O’Connor • Ben Folds • Meshell Ndegeocello • Gurrumil Yunupingu • Archie Roach • Josh Stone • Mavis Staples • Shirley Bassey • Jimmy Barnes • Olivia Newton-John • John Farnham • Chubby Checker • Jerry Lewis • Wayne Newton • Human Nature • Marcia Hines just to name a few.
“A career highlight performing alongside superstar Burt Bacharach in Melbourne!”
“Playing at Carnegie Hall (NYC) with the amazing Olivia Newton-John is unforgettable!”
Greg was lead trumpet on Australia’s version of “Dancing with the Stars” for 16 seasons and has performed on over 20 Australian television productions. He has done over 40 professional musical theatre shows and recorded over 100 albums with Australia’s leading artists.
LISTEN
LISTEN TO GREG SPENCE
Excerpt from Bob Reeves Famous Podcast
“The Other Side of the Bell”
Never heard of Greg?
“THERE’S GOT TO BE A BETTER WAY!”
“It truly is effortless!”
“Like a dream come true!”
“The benefits are HUGE!”
• Check you email for great brass playing information
• Choose your current level of ability
• Tell us your needs in the form provided. IT’S FREE
FILL IN YOUR DETAILS TO LEARN… IT’S FREE
PLAY YOUR FAVOURITE MUSIC WITH EASE AND CONSISTENCY
IF YOU COULD
IF YOU ARE STRUGGLING WITH
IF YOU ARE
CONFUSED WITH
1. I want to be a monster all over the horn but have trouble with flexibility. THAT’S ME
2. Can’t seem to get to the end of the gig, my endurance sucks. THAT’S ME
3. My articulation is sloppy and inconsistent. I don’t know how to tongue! THAT’S ME
4. I want to have a smokin’ range to sound like my heroes! THAT’S ME
5. I know what I want to sound like. Problem is, I can’t!!! THAT’S ME
IF THERE WAS a new and better way to play, thanks to groundbreaking discoveries, WOULD YOU WANT TO KNOW ABOUT IT?
IF THERE WAS a new and better way to play to make your playing dreams a reality, WHEN WOULD YOU LIKE TO START?
5 SIGNS YOU
NEED HELP
ARE YOU FINDING THAT:
TAKE THE GUESSWORK OUT OF BRASS PLAYING
1. SOUND ADVICE
We sneak behind the scenes and learn the physics of how brass instruments really work, the role of your body when playing, how to make a pure sound from Day 1, and the “Learning Loop” neurological process.
2. AIRnergy
Learn from the word “Go!” where everyone goes wrong. Discover the power of PASSIVE playing, how the lungs create energy, and how to effortlessly convert this energy to sound using no force or strain.
3. TIME TO SHAPE UP
Don’t worry, we know most people hate working out, doing push-ups, sit-ups, and other vertical, up-and-down exercises. You’ll love it when you uncover the real role of your tongue and how the lips work horizontally.
4. CYCLE OF T.E.E.S
This landmark and history-changing approach teaches you the perfect playing process that anyone can do to achieve the PERFECT NO-NOTES. Pianos and guitars have notes built in, brass instruments have no notes.
5. SINGING IN THE RIM
Take your PERFECT PROCESS NO-NOTES and discover how playing is no harder than humming, talking or singing. You will learn this breakthrough system on your leadpipe, playing horizontally in the mouthpiece rim.
6. RESULTS PROCESS
Using the immense power of the PROCESS DRIVEN Singing “C” Series, and the RESULTS DRIVEN “Four Factories” multi-technique builder, your PERFECT NO-NOTES become perfect notes all over your instrument; IT’S MAGIC!
Playing between registers can be tough at the best of times, but playing with limited flexibility can be really challenging, and even worse, it affects your endurance. CLICK BUTTON
Contrary to popular opinion, endurance has nothing to do with strength, but rather an inefficient technique that is driven by incorrect playing psychology. CLICK BUTTON
Even if you have great flexibility and endurance, people fail auditions and lose work because of inconsistent and sloppy articulation.
CLICK BUTTON
Range is the number one concern of most trumpet players and the answer to developing range is the opposite of what you think it is.
CLICK BUTTON
All of the above issues contribute to crippling your ability to create sound efficiently.
CLICK BUTTON
1. IDENTIFY YOUR PROBLEMS
2. REVEAL THE SOLUTIONS
3. MAKE REAL CHANGES
I started Greg’s course with a slight hesitancy to his different and unique approach. A year later, I’m fully committed and have used his methodology with my private students. Greg’s teaching has had an immense impact on my approach to the mechanics of the trumpet and I have improved greatly since day 1 of the course. I have gained more efficiency and freedom on the trumpet than ever before which has helped me to better express my musicianship through the instrument.
I can’t recommend Greg’s course enough.
Tetsuya L. AUSTRALIA
I wish I had known about WindWorks when I started. It could have saved me several years of brass misery. Most brass teachers can demonstrate what the instrument should sound like, but the playing must have come to them through some kind of magic, because they obviously never had to think about how they play and, therefore, cannot explain it. Greg Spence has analysed the playing of brass instruments to the point of obsession, and he passes his knowledge on with great enthusiasm and generosity through WindWorks.
If you want to play the trumpet, or indeed any brass instrument (or, dare I say it, even the alphorn), do yourself a favour and listen!
Jutta C UK
One year before my masters degree I couldn’t play any more, it was a total collapse. Mystery to Mastery is the only method that worked and still is working for me, and because of that method, I finally after 20 years of playing trumpet enjoy playing it and I feel comfortable and relaxed (not scared and insecure like before). And I must say now I am a teacher and I teach that way, and must say that a healthy and resonant sound is possible already the first year the student starts to learn.
That is why I recommend this method for everyone. Buy it, study it, stick to it and believe every word the Greg says. It saved my musical life.
Marko J. SLOVENIA
If you are planning on leaving us here and now, then we thank you for taking the time to learn some exciting, new information and we wish you great success with your playing.
On the other hand, if you know missing out on this opportunity is downright crazy, then begin considering the option that is best for you.
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Be sure to follow the link in your email to the member’s dashboard and get ready to change your playing life! WELCOME TO WINDWORKS
“The physiology of brass playing has been shrouded in myth and misconception for decades, leading to pedagogical practices that are at best useless, and at worst quite damaging. Trumpet virtuoso and myth-buster Greg Spence has sorted us out, setting forth a method that defuses the madness. At once brilliant and stunningly simple, Mystery to Mastery is essential material for the global community of brass players.”
“Trumpeters finally have a guide that makes sense. Greg Spence has managed to take what can sometimes be a complicated process (playing the trumpet) and explain how it’s done in a way that will definitely get results. Anyone at any level will benefit from this no-nonsense approach that really does go Step-by-Step all the way to MASTERY!”
“Mystery to Mastery” by Greg Spence, is a wonderful addition to the trumpet player and trumpet teacher’s literature. It is concise and logical. All teachers’ will welcome such an organized and functional program. I HIGHLY RECOMMEND IT!”
“Greg has a unique view on blowing the trumpet; which is not to blow or buzz. His unique teaching style not only involves the artistry of the brass horn, but the passion to motivate me to excel, during the hardest playing times. If you need a trumpet surgeon, look no further, he is the man.”
“Fantastic Website. A lot of knowledge based information here.”
“Hi Greg, I am really enjoying watching your videos, they are very informative, inspiring and fun to watch. Great video lessons Greg, keep them coming!”