A Groundbreaking Discovery
That Makes Playing Easier

CLICK ORANGE PLAY BUTTON – Listen as Greg Spence is interviewed by John Snell from “The Other Side of the Bell” podcast by Bob Reeves Music.  Greg explains his ground-breaking teaching methodology. THIS IS A MUST LISTEN EVENT FOR ALL BRASS PLAYERS. (Download Below) 

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With Greg Spence

WHAT WE DO...

We help professional brass players break through ceilings to play at a higher level with confidence and consistency.

Take your time and look around, don’t rush into anything.

If there is something that doesn’t make total sense to you, feel free to email us at info@mysterytomastery.com or book a free playing evaluation.

If you get to the stage where you are considering investing and getting involved, it’s absolutely okay to spend as much time as you need to get the full picture.

For today, get out of your mind that we are trying to sell you anything. All we are trying to do at this point is to find out whether our system is a match for what you need. 

Here’s what we want you to be aware of: It’s absolutely okay for you to say no.  What we want to do today is make sure you have enough information about what we do to at least be able to make a confident decision one way or another. 

At the end of the day, you’re going to do what’s best for you.  If peace of mind is important to you, you will make sure to find a fresh approach to playing.

The right decision would involve finding a better way to play to avoid confusion that crushes confidence and the love of playing music.

WHAT ARE YOUR

LIMITATIONS?

ARE YOU HAVING DIFFICULTY:

ARE YOU:

WHY ARE YOU

STRUGGLING?

WHAT ARE YOU

LOOKING FOR?

DO YOU NEED:

WHAT WE DO IS:

HOW CAN 

WE HELP?

SUBSCRIBER REVIEWS

Haynes Muller
Haynes Muller
July 17, 2022.
Apart from his world class credentials as a player, Greg Spence offers a brilliantly organised interactive teaching platform, primarily for trumpet players. It gives a forensically detailed method on how to achieve your goals with some perspective on how it can fit in with your regular life. Greg himself is unconventional, witty and has a boundless enthusiasm, which is catching. Many students regard what he offers as life changing. I'm one of them. All the best, Steve Miller.
Paul Kelly
Paul Kelly
July 17, 2022.
I have been working on Mystery to Mastery for three to four years. It started with the online videos which just made sense of the issues I was having. When Windworks came out I raced through the levels and was having some good days at Emerald. I knew things were not right and went back to Largo. I kept going back to largo. Last year I had some sessions with Greg and now it all seems to fall into place. At the age of 75 this method is vital if I am to continue enjoying playing and it works. Thanks Greg.
Tom Ryan
Tom Ryan
July 16, 2022.
The least worse of all that Ive seen!!
Peter MultiTrum
Peter MultiTrum
July 15, 2022.
Contacting Greg (almost a decade ago now) and getting him to help me at the age of 50+ with his Mystery to Mastery concepts really helped me to improve my approach to the horn. I have really enjoyed following the growth of the concepts. Prior to Covid I had the Double C under my belt, and great endurance. Time to re-connect, and get myself back on board. 100% supportive.
Marko Jenic
Marko Jenic
July 15, 2022.
I am practicing the Mysterytomastery method for ober eight years now. One year before my masters degree I coldnt play any more, it was a total collapse, because of my wrong, stiff, tense setting from a beginning of my trumpet playing (because of buzzing), and like many trumpet players-overblowing. My teacher once said to me that I shold look at Greg’s videos on youtube, and I did. Of course I was pretty dubious over that method at start. Then I bought both books and started to work and watched every video several times, so I slowly got a point of Greg’s Idea. I must sat, that Mysterytomastery is the only method that worked and still is working for me, and becouse of that method I finally after 20 years of playing trumpet enjoy playing it and I feel comfortable and relaxed (not scared and insecure like before). And I must say now I am a teacher and I teach that way, and must say that a healthy and resonant sound is possible already the first year the student start’s to learn. That is why I recommend this method for everyone. Buy it study it, stick to it and believe every word the Greg says. It saved my musical life. Marko
Nigel Huckstep
Nigel Huckstep
July 14, 2022.
Basing a music course on scientific method and research rather than “this is the way we have done it since the 1800s”, what sort of trickery is this?!? The 19th and the 20th century all dabbled around the edges of science, but scientific focus was mainly around improving the equipment rather than how we use it. Roll in WindWorks and Greg Spence who not only recognised that playing brass is actually a scientific process but has managed to develop a program integrating a range of fields of science that have previously been neglected. While most musicians will acknowledge the role of physics, few actually think about physiology and even fewer think about psychology or neuroscience as critical factors of playing. It doesn’t matterIf you play well or badly, physics still happens, sound waves will still be generated by oscillation through an aperture into the resonating body of the instrument. This course takes that basic premise but adds a different slant to human physiology to improve efficiency of playing. Some of the most ground breaking elements include introducing psychology and the way we approach the instrument and neuroscience to change unhelpful neural pathways and create new useful neural pathways, so the efficient and effective methods encouraged by Greg become the new normal. I wish I had started this way 40 years ago, who knows what path my life have taken.
Chris Lawell
Chris Lawell
July 14, 2022.
I signed up for Greg Spences course after a 25 year lay off from trumpet. I was what was know of as a “comeback player”. His course was KEY to getting back my chops and even improving my abilities to better than I played as a music major decades before. He traveled to the US and did a clinic for the brass players at my sons High School and did a fantastic job as well. He is one of the rare ones who can be an incredible performer but also be able to very clearly explain HOW everything works through demonstrations and activities to get the best results. I consider him a friend and great mentor. His courses are top notch and his masterclasses and clinic are worth every dime. I couldn’t recommend him any higher.
Jutta C
Jutta C
July 14, 2022.
I wish I had known about WindWorks when I started. It could have saved me several years of brass misery. Most brass teachers can demonstrate what the instrument should sound like, but the playing must have come to them through some kind of magic, because they obviously never had to think about how they play and, therefore, cannot explain it. Greg Spence has analysed the playing of brass instruments to the point of obsession, and he passes his knowledge on with great enthusiasm and generosity through WindWorks. If you want to play the trumpet, or indeed any brass instrument (or, dare I say it, even the alphorn), do yourself a favour and listen!

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REX RICHARDSON

“The physiology of brass playing has been shrouded in myth and misconception for decades, leading to pedagogical practices that are at best useless, and at worst quite damaging. Trumpet virtuoso and myth-buster Greg Spence has sorted us out, setting forth a method that defuses the madness. At once brilliant and stunningly simple, Mystery to Mastery is essential material for the global community of brass players.”

Rex Richardson, International Trumpet Soloist

JAMES MORRISON

“Trumpeters finally have a guide that makes sense. Greg Spence has managed to take what can sometimes be a complicated process (playing the trumpet) and explain how it’s done in a way that will definitely get results. Anyone at any level will benefit from this no-nonsense approach that really does go Step-by-Step all the way to MASTERY!”

JAMES MORRISON - Possibly the best multi-instrumentalist to ever walk the earth.

ALLEN VIZZUTTI

Mystery to Mastery” by Greg Spence, is a wonderful addition to the trumpet player and trumpet teacher’s literature. It is concise and logical. All teachers’ will welcome such an organized and functional program. I HIGHLY RECOMMEND IT!”

ALLEN VIZZUTTI - Simply one of the world’s most loved virtuoso trumpeters.

ERIC MIYASHIRO

“Hi Greg, I am really enjoying watching your videos, they are very informative, inspiring and fun to watch. Great video lessons Greg, keep them coming!”

Trumpet mega-star Eric Miyashiro

Frequently Asked Questions...

The high quality WindWorks course is a self paced, video based, step-by-step development program, with live weekly masterclasses, Q+A sessions and real time, live streamed lessons.

The course is a 3 part system that takes you from your current playing standard to a highly elevated level through the integration of Psychology, Physiology and Acoustic Principles, along with ground-breaking techniques and exercises. All lessons are clearly explained and professionally demonstrated.

There is no set timeframe for the WindWorks course. It is a self paced program to accommodate your unique, individual needs.

WindWorks provides unparalleled benefits for both novice and expert players. Its innovative method focuses on spotting and eradicating inefficiencies, making it a game changer, setting a new standard in excellence.

WindWorks:

• Makes brass playing easy.

• Explains contradictions and removes confusion.

• Is a logical systematic approach.

• Dispels myths.

• Exposes flaws in traditional methods.

• Reveals techniques never before seen in brass playing pedagogy.

WindWorks is a technical development program suitable for all brass and wind players. Singers have also been known to benefit from the WindWorks principles.

Whilst WindWorks is brass focused course covering all brass related techniques, woodwind players and singers have also received huge benefits from the efficiency and sound production principles.