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	<title>WindWorks Trumpet Academy by Mystery to Mastery | philip.bysh | Activity</title>
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				<title>philip.bysh replied to the topic tongue level thru the staff in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/tongue-level-thru-the-staff/#post-147654</link>
				<pubDate>Sun, 09 Oct 2022 15:43:31 +1100</pubDate>

									<content:encoded><![CDATA[<p>I&#8217;d never really considered my tongue position mid-note until watching the US Sunday session video of Mike the horn player.  I&#8217;ve subsequently noticed that the back of my tongue stays pushed against the sides of my molars, pretty much all the time (maybe not when playing below the stave) and particularly when I&#8217;m playing higher.  I&#8217;d assumed that&hellip;<span class="activity-read-more" id="activity-read-more-64302"><a href="https://mysterytomastery.com/topic/tongue-level-thru-the-staff/#post-147654" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic Elvis or Morrison? in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/elvis-or-morrison/#post-118839</link>
				<pubDate>Tue, 18 Jan 2022 16:22:07 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi Paul,<br />
Absolutely! I must be on about the tenth iteration of my new embouchure.  Each time I go back to Largo my first reaction is &#8220;I&#8217;ve failed &#8211; again!&#8221; but really it&#8217;s just a refinement of what went before, and it always takes a couple of days for that to sink in.<br />
I&#8217;m always hoping that this iteration will be &#8220;the one&#8221; &#8211; that big breakthrough&hellip;<span class="activity-read-more" id="activity-read-more-45488"><a href="https://mysterytomastery.com/topic/elvis-or-morrison/#post-118839" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic Elvis or Morrison? in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/elvis-or-morrison/#post-117975</link>
				<pubDate>Wed, 12 Jan 2022 17:10:37 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi Paul,</p>
<p>It sounds like you and I are facing similar challenges.  I keep checking back to the horizontal squeezing of two fingers and it does result in a bigger, more relaxed sound. Throughout the Moderato stage I understood well enough what my embouchure and corners were doing.  In Allegro, the horizontal movement has to be more pronounced to&hellip;<span class="activity-read-more" id="activity-read-more-44865"><a href="https://mysterytomastery.com/topic/elvis-or-morrison/#post-117975" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic Elvis or Morrison? in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/elvis-or-morrison/#post-116887</link>
				<pubDate>Thu, 06 Jan 2022 09:37:09 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi Greg</p>
<p>Thanks for the speedy response.  I will try and get some video examples of the two settings.  Before that, a couple of things I&#8217;d point out:<br />
I always set up my embouchure the same before playing.  As I play into the top half of the stave, my top lip settles (sometimes consciously, sometimes not) to one of the two positions.  Since Elvis&hellip;<span class="activity-read-more" id="activity-read-more-44171"><a href="https://mysterytomastery.com/topic/elvis-or-morrison/#post-116887" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh started the topic Elvis or Morrison? in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/elvis-or-morrison/</link>
				<pubDate>Wed, 05 Jan 2022 20:15:01 +1100</pubDate>

									<content:encoded><![CDATA[<p>In the spirit of making mistakes and trying things that are beyond you, I’ve just started on the Allegro stage and it’s truly eye-opening– I&#8217;ve learnt so much more by being utterly out of my depth. </p>
<p>I do have a recurring problem though.  It stems from the fact that the techniques I’m learning are so vastly different from my old embouch&hellip;<span class="activity-read-more" id="activity-read-more-44114"><a href="https://mysterytomastery.com/topic/elvis-or-morrison/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic [EVERYONE READ THIS] Point of Difference question in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/point-of-difference-question/#post-113971</link>
				<pubDate>Sat, 18 Dec 2021 15:14:46 +1100</pubDate>

									<content:encoded><![CDATA[<p>I’ve had similar worries so a huge thanks for posting this &#8211; it’s reassuring to know it’s not just me! I’ve just started on the Allegro stage and keep looking to the next lesson to tell me how to absorb new things into my existing playing. There’s nothing yet but I don’t think that’s how it works. </p>
<p>I find that improvements sneak in unbidden, eve&hellip;<span class="activity-read-more" id="activity-read-more-42371"><a href="https://mysterytomastery.com/topic/point-of-difference-question/#post-113971" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76376</link>
				<pubDate>Sun, 28 Mar 2021 16:14:13 +1100</pubDate>

									<content:encoded><![CDATA[<p>Thanks yet again, John! I know what you mean about the &#8220;random&#8221; books of studies.  I have many that I get about 4 bars into, then have to stop, lie down and think happy thoughts.  I DO need some new music to play &#8211; I think we talked about familiar pieces triggering old habits earlier in this thread so getting my chops into something new will be&hellip;<span class="activity-read-more" id="activity-read-more-17791"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76376" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76108</link>
				<pubDate>Thu, 25 Mar 2021 10:21:40 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi John, this all makes a great deal of sense.  I don&#8217;t think I&#8217;m at that stage yet though.  I&#8217;m still working on low-mid register consolidation, so I&#8217;m not consciously trying to push my range higher &#8211; my upper register (when I do check it) is improving as a result of the technical work I&#8217;m doing, so I&#8217;m quite happy with that! </p>
<p>My current goals&hellip;<span class="activity-read-more" id="activity-read-more-17696"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76108" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic teeth/jaw alignment in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/teeth-jaw-alignment/#post-76107</link>
				<pubDate>Thu, 25 Mar 2021 09:07:46 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi both, thanks for your thoughts.  It seems to be the lower notes that make my jaw move back so it&#8217;s not the same as what John used to do on higher notes.  I think what I need to do is more like what Steve describes.  If I play low notes with a recessed jaw, then try to go up a couple of octaves, my chops are in the wrong set up, so keeping my&hellip;<span class="activity-read-more" id="activity-read-more-17695"><a href="https://mysterytomastery.com/topic/teeth-jaw-alignment/#post-76107" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76049</link>
				<pubDate>Wed, 24 Mar 2021 20:51:39 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi Greg.  I made it to the end of your video! You really clarified some important things (the process of rewiring should have NO expectations attached, the exercises are an assessment not a target, keep a mental portrait, belief vs. confidence etc.) so thank you so much! </p>
<p>One thing I do which I know doesn’t fit with your description, is when y&hellip;<span class="activity-read-more" id="activity-read-more-17675"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-76049" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh started the topic teeth/jaw alignment in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/teeth-jaw-alignment/</link>
				<pubDate>Wed, 24 Mar 2021 20:39:06 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi all</p>
<p>Hopefully this will be a quick one as I think I already know the answer, but I&#8217;ve noticed my lower jaw sometimes moves back so my teeth aren&#8217;t aligned.  All the diagrams I&#8217;ve ever seen show top and bottom incisors aligned and the MmmAahOooh embouchure set up infers that should happen too, but before I spend a few days training my jaw to&hellip;<span class="activity-read-more" id="activity-read-more-17674"><a href="https://mysterytomastery.com/topic/teeth-jaw-alignment/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75769</link>
				<pubDate>Sun, 21 Mar 2021 10:12:57 +1100</pubDate>

									<content:encoded><![CDATA[<p>I’m not sure I could structure my practice like that. Whenever I try, I get distracted. I admire your focus!</p>
<p>John, I’m flattered that you think I start clamping down above the stave &#8211; with anything quiet and sustained, honestly, it starts at the bottom of the stave. My tension trigger is more about the style of music. I can play short loud phr&hellip;<span class="activity-read-more" id="activity-read-more-17591"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75769" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75716</link>
				<pubDate>Sat, 20 Mar 2021 18:00:48 +1100</pubDate>

									<content:encoded><![CDATA[<p>I too have treated warm-up as something to be got out of the way quickly before the “proper” playing starts, but am learning to appreciate the smaller things – a great sound, effortless playing.  </p>
<p>In the last few days I feel like I&#8217;ve released my inner trumpet geek, so when things don’t go to plan, instead of getting irritated, I react with “o&hellip;<span class="activity-read-more" id="activity-read-more-17577"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75716" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75629</link>
				<pubDate>Fri, 19 Mar 2021 14:50:43 +1100</pubDate>

									<content:encoded><![CDATA[<p>Many thanks for all your comments.  Sorry it’s taken me a while to respond but I’ve been digesting it all.  I am taking two things away from this:</p>
<p>Firstly, development is definitely non-linear.  No one will start at the beginning of Windworks and just work through it gradually improving incrementally.  Everyone needs to revisit the fun&hellip;<span class="activity-read-more" id="activity-read-more-17547"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75629" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/#post-75030</link>
				<pubDate>Thu, 11 Mar 2021 16:06:27 +1100</pubDate>

									<content:encoded><![CDATA[<p>Thanks Rick, this is reassuring! I have complete faith in the process, I think it&#8217;s my understanding of the process that I doubt in these moments.  I know I&#8217;m doing SOMETHING wrong, but doubt my ability to diagnose it.  Calm and peace are definitely the way forward</p>
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				<title>philip.bysh started the topic good days and bad days in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/good-days-and-bad-days/</link>
				<pubDate>Thu, 11 Mar 2021 14:30:35 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi.  I’m quite new to MTM so have dozens of questions, but one stands out.  I’ve had a few coffee moments since starting, which are fantastic when they happen, but on the flip side, there are days when everything seems to unravel; my technique is nowhere and any progress I’ve made evaporates.  Either that or after making real progress on the “circ&hellip;<span class="activity-read-more" id="activity-read-more-17313"><a href="https://mysterytomastery.com/topic/good-days-and-bad-days/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>philip.bysh replied to the topic Throat closing when double tonguing in the forum WindWorks</title>
				<link>https://mysterytomastery.com/topic/throat-closing-when-double-tonguing/#post-74853</link>
				<pubDate>Tue, 09 Mar 2021 14:13:18 +1100</pubDate>

									<content:encoded><![CDATA[<p>Hi Gary, you should keep your throat open all the time.  The &#8220;ku&#8221; is much more likely to trigger your throat closing than &#8220;tu&#8221;; it&#8217;s just one of those things!  As with most difficulties, go back to basics and start slowly then build up speed.  BCH breath will help open the throat &#8211; really try and &#8220;yawn&#8221; the breath in then keep that open feeling at&hellip;<span class="activity-read-more" id="activity-read-more-17261"><a href="https://mysterytomastery.com/topic/throat-closing-when-double-tonguing/#post-74853" rel="nofollow ugc">[Read more]</a></span></p>
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