Hi Greg

Can we learn something about the way the lips LOOK like while playing, or shouldn’t we be concerned about that? I notice your course focuses on the feeling and the sensations, and does not really mention how a lip setting should look like while playing. I’m not really sure if you use the magnifying glass as a metaphore for discovering (by feeling) where the problems arise. Or do you really look at the lip position as well to discover deficiencies?

Greetings,
Tom