Eric, you have discovered the gold, now follow through with it. As you said, the sound wasn’t affected and I bet it felt way freer. Will you be able to play your same range right away? Probably not but maybe.

You have said everything that I would have said to you already about anatomy and placement. The fact that the mp keeps wanting to move…[Read more]

Hey Brian, congrats on getting through the Premium Level! I am filming the Ultimate Level as we speak so the Rudy, Emerald and Diamond Master Series will be available next month.

Be sure to have that magnifying glass out so your efficiency is optimum. The Ultimate Level escalates pretty quickly so a firm grasp on all of the lessons up till now…[Read more]

Long story short, I have played one game since my last post and whilst there were plenty of mis-hits, I managed to par the 2nd hardest hole on the course a 404 meter (441 yards) par 4.

If you remember when I started the left handed process, I had played a game with my Dad and Brother in Law. I was again playing with these two:

Dad says – You…[Read more]

Hi Howard, welcome to WindWorks and thanks for posting.

I am not sure how familiar you are with me and my material but I have had a LOT to say about some particular CG “certified” teachers, not all, just some. They were telling their students (I know many of these students now 😊) telling them NOT to look at my material. I am sorry but that is…[Read more]

Hey Klaus, your days will vary dramatically as you are learning so it is important to find what exactly you can do consistenly, day to day, no matter how much you play.

Can you play an effortless, resonant low C every day? If so, a D and so on when. At what stage does it all fall apart? This is all a part of your awareness development.

The…[Read more]

Hey Dirk, it is such a fine balncing act but I would suggest that it is a combination on both active support/flow and aperture size. I think this is so complex that the sound should determine the “work” involved and the feeling of BCH throughout is necessary.

Maintaining pitch is important of course as is tone purity. If the aperture remained…[Read more]

Hey there Yveline, welcome to WindWorks and thanks for your post.

The answer to the chromatic is to slow it right down.

Some people like the idea of really hammering the fingers down.

Another suggestion is swapping hands and developing it with your left hand fingers; this uses a different part of the brain and when you swap back it seems…[Read more]

Hey Klaus, welcome! There is no set time but if you repeat and repeat and repeat the Foundation LeveL processes as explained, on a daily basis, you will be surprised how quickly things can happen.

I don’t know whether you play golf but 6 weeks ago I started teaching myself how to play golf left handed after playing very badly right handed for…[Read more]

Hey John, thanks for the post! It’s ok to have “those” days, don’t push it. What you have done before, you can do again; as you alluded to, you can’t have a PB everyday.

Be cool when things don’t work, just observe what is going on and put your horn away. It is those experiences that allow you to develop your awareness to get to the next…[Read more]

Yeah, I recommend Google Chrome. I’ll check it out.

Cheers.

Hey Jim, it is there, it can take a second to load. What browser (google, firefox, safari etc) are you using?

Cheers,
Greg

Hey there Thomas, do you think your lip was rolling before Xmas and you have only just noticed it? If that is the case, do what you did in the first place to find the placement.

If you have been doing it all along, watch each video closely and slowly, it is explained in great detail through the Foundation Level. MmmmAaaahOoooh, tissue,…[Read more]

Hey there Elgin, thanks for your post. It is a little vague so really understanding exactly what they mean and exactly the issue is hard to determine.

“Holding” air implies closing the throat?! If that is the case it is cetainly undesirable.

“Upper Chest” sounds like a reference to Claude Gordons approach to the expanded chest. We can get…[Read more]

Hey there Francis, I encourage people to move forward when they are comfortable even if the PROCESS isn’t completely pure. As long as there is an awareness of the “Point of Difference” and people persist with the pure process at their own level, experimenting with the more advanced lessons is totally fine.

Have a great New Year.

Cheers,
Greg

Hey there Elgin, just posting for otheres to see, as I mentioned to you in my private message, this will all be discussed in great detail in the Ultimate Level. Cheers my friend. Greg

Hey guys. I am totally unqualified to give any medical advice sadly. What I hope is that if the condition began after surgery is that as you recover, things will get back to normal. Lets face it, only 5 weeks is not very long after major surgery.

Have you experimented with holding other items i.e. a cup of water, does the same thing…[Read more]

Hey Francis, Merry Xmas!

There are no rules! It does not surprise given the extra lip “cushion” you might have would affect what rim works best.

If it feels good and sounds good, it’s good. To quote Bobby Shew “not everyone wears the same size pair of shoes”.

Thanks for sharing and I welcome other peoples thoughts and experiences.

All the…[Read more]

“Phew!” 🙂 All the best.

Hey Peter, watch Adagio Long Tones again and press pause at 1:33 and have a peek in the subtitles 😉 Cheers. Greg

OK, I have written the exercise to show what length of note I want – crochets, quavers etc. I am not concered about and never mention bars at all. Just stick to the click of the metronome and how many beats you can play. Watch this video again – https://mysterytomastery.com/lesson/largo-c-practice-progress-chart/ Cheers, Greg